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Bethan Hemus

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Showing posts from October, 2024

October 30, 2024

Counter culture project reflections

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October 30, 2024

Practice makes perfect

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October 30, 2024

Developing techniques

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October 30, 2024

Testing different materials

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October 30, 2024

Digital edit and screen-print tests for my subverted bull

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October 30, 2024

Wall Street bull rework: adapting my plans from 3D to 2D

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October 17, 2024

Exploring the sculptures of Louise Bourgeois and Dorothea Tanning: Wakelet edition

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October 17, 2024

Modernism

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October 16, 2024

Shock of The New - Robert Hughes

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October 02, 2024

After The End Of History: British Working Class Photography 1989-2024, Bonnighton Gallery 2024

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October 01, 2024

Jean-François Millet and having a social realism lens on my anti facial recognition mask project

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Bethan Hemus

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Bethan Hemus: I have tried many things over time, but I always return to art. Art is not a luxury for me, it's an essential mechanism for exploring my humanity. And I need that. I think we all need that. I would rather be in dialogue than monologue about this, which is why I incorporate paradox and ambiguity in my work; to ask questions and make space for the audiences voice. My personal and professional experiences drove my emotional development, just as they drive my motivation to explore themes creatively; particularly trauma, mending and intimacy.

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