Thinking about curation and editorial decisions in installation space

When thinking editorially about my exhibition space, I was reminded of Dorothea Tannings cumulative installation Poppy Hotel.

Creating a space that the audience either views or that they walk through is an important decision. Do I want my audience to feel a bystander and witness, or a participant in this instance?

Tom was helpful in encouraging me to be reductionist in my end of year exhibition content. I originally had more work that I wanted to include but I already have several strong pieces and he is right when he says that less is often more; sometimes the clutter can make everything compete with one another. Taking out the less strong work gives what is left space to breathe. 

I have found the process of curating my space interesting. I think it's a really important skill and I want to develop this next year.